Original title: Contribute a film power to the realization of the Chinese dream (new theory)
The movie should have vivid characters, vivid stories, great feelings, and tell a good Chinese story of the new era
A good work should be a work that can stand people's evaluation, expert evaluation, and market test.
In 2019, the box office of Chinese movies has exceeded 60 billion yuan. Among them, domestic movies such as "Wandering Earth", "The Child of Nezha", and "Me and My Motherland", "China Captain", and "Climber" on the National Day archives performed particularly well. As an important part of the cultural industry, movies are increasingly playing a strong role in value while gaining economic benefits.
The Fourth Plenary Session of the Nineteenth Central Committee of the Party stated that "Insist on creative transformation and innovative development, stimulate the creative vitality of the entire nation's culture, and better build the Chinese spirit, Chinese value, and Chinese power." "I and My Motherland" cut into the grand history from small people and small perspectives, showing that ordinary people are linked to the fate of the motherland; "China Captain" tells the crew to calmly deal with accidents and create miracles at an altitude of 10,000 meters; "The Climber" goes back to China The story of the mountaineering team conquering the world's highest peak ... The mortal feats and family feelings are fully demonstrated in the movie. Chinese filmmakers are trying to use movies to answer cultural propositions in the new era.
In the final analysis, excellent film work is an artistic expression of real life. It can be said that the ability to successfully express these captivating "Chinese forces" on the screen is, in the final analysis, because we are stepping on the solid China. The civilization of the Chinese nation for more than 5,000 years, the bloody struggle of the Chinese people for national independence and people's liberation in modern times, the great process of revolution, construction, and reform led by the Chinese Communist Party, profound changes in ancient China and nearly 1.4 billion Chinese people are extremely rich The production life provided extremely fertile soil for literary and artistic creation, and there were too many things worth writing. Only by walking into the depths of life, grasping the context of the times, and listening to the voices of the people, can we have profound plots and moving images and create exciting works.
Socialism with Chinese characteristics has entered a new era. The new era is an era of dreams and opportunities, an era of running and struggle. Today, the land of China is surging, and wonderful Chinese stories are writing a new chapter. Whether it is the outstanding female pilot willing to fly in "I and My Motherland" or the crew member who is in danger in "China Captain", these ordinary people in ordinary posts show the spirit of Chinese people. There are still many such stories, from Zhang Fuqing, who has deep merit and reputation, to Wang Jicai who is alone on the island, from Du Fuguo, a demining hero, to Huang Wenxiu, a poor cadre. Refining and processing with movies, artistic expression, and telling a good Chinese story in the new era will definitely give more people the power to pursue their dreams.
Standing on the broad stage of the new era, Chinese cinema has entered a new golden age. How to better write our "movie answer sheet"? This requires us to further explore the laws of art and the laws of the market. Movies must have lively characters, human images stand, and the transmitted power and value are sensible. Movies must have vivid stories. Good stories can show power and can inspire power. Movies must have great feelings. Only with affection can people infect, impress, and give people lasting power. Only by paying attention to the real life of the Chinese people today and presenting a more vivid China, can our literature and art contribute unique sounds and colors to the world.
Literary and artistic works, including films, convey the values, cultural spirit and aesthetic pursuits of a country and a nation. A good work should be a work that can withstand people's evaluation, expert evaluation, and market test. It should be a work that puts social benefits first and realizes the unification of social and economic benefits. I hope that Chinese filmmakers can bring more good works and contribute a film power to realize the Chinese dream.
(The author is the deputy general manager of Changying Group Co., Ltd.)
Editor-in-chief: Wang Diantong
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